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The
following statement is based on an interview with Donna
Tietze Hare on WOL-AM radio Station (Washington DC) on
5/6/95. |
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Donna, whilst employed by NASA,
was a female slide technician and received numerous space awards
including 1969 Apollo Achievement award from the National Aeronautics
and Space Administration, 1973 Skylab award, a medallion
for success on the Skylab-Suez Test project. Other awards for
her skill as a technical Artist includes a 1994 recommendation
by Texas Governor Ann Richards to the Advisory Committee
of Psychology Associates. Donna has spent most of her professional
life involved in the Space Program as a technical illustrator.
She drew lunar maps, landing Slides and worked in the photo
lab, Precision Slide Lab. Her job was to reduce art work to
one inch by one inch drawings. She drew launch sites, landing
sites and was employed as a sub-contractor to NASA for over
15 years. She worked on flight manuals for astronauts and has
the wonderful ability to put words into images but uniquely,
learn to do everything backwards, including mathematical computations,
the writing of words, to put it simply, this woman has seen
just about all the different kinds of images one could see
that are used in Space Programs today.
Donna stated:
"During the Apollo mission I worked at NASA throughout
those Apollo Missions and I did leave NASA at the time the
space shuttles began. I worked in building eight in the photo
lab. I had a secret clearance so I thought I could go anywhere
in the building. And I did go into one area that was a restricted
area. In this area they developed pictures taken from satellites
and also all of the missions, the Apollo missions, flight missions.
I went in and I was talking to one of the photographers and
developers and he was putting together a mosaic which is a
lot of photos, smaller photos into a larger photo pattern.
And while I was in there I was trying to learn new methods
and new things about the whole organization and I was looking
at the pictures and he directed my attention to one area, he
said, Look at that. I looked and there was a round oval
shaped, well it was a very white circular shape of a dot and
I, it was black & white photography, so I asked him if
that was a spot on the emulsion and he said, "Well I can't
tell you, but spots on the emulsion do not leave round circles
of shadows."
I noticed that there were pine trees, now I don't know where
this area was or what, you, pretty close to the ground what
I saw but I didn't see outline of the continent. But I did
notice that there was shadow under this white dot and
I also noticed that the trees were casting the shadows in the
same direction as this shadow of the circle of this aerial
phenomena because it was higher than the trees but not too
much higher than the trees but it was close to the ground
and it was spherical but slightly elongated, not very much
but slightly. I then said, is it a UFO? And he said, "Well
I can't tell you." And then I asked him, "What are you going
to do with this piece of information?" And he said, "Well
we have to airbrush these things out before we sell these photographs
to the public." So I realized at that point that there
is a procedure setup to take care of this type of information
from the public.
There is another incident with a guard that I would like to
convey too that's very important. This man that I had dated
was in quarantine with the astronauts when they had come back
from the moon and I had talked to him about seeing this
saucer (satellite photos) and asked him if he had heard anything
about that and he told me that every astronaut, every moon
trip had been followed by craft, by saucers, that every one
of them, every astronaut that went to the moon, now I don't
know about other sites but they all had seen it and all had
been told to keep quite about it and they were threatened with
jail and their whole retirement, everything taken away from
them. They were also, this told me that if I ever told that
he said it, that he would deny it, that he would never admit
that he told me all of that.
When I had quite work, I had an office, I was doing illustration
work at another office, in another part of town. And a man
that had been a guard at NASA during the time came into my
office and he had a large gash scar on his forehead and
he told me that he was a guard at NASA and that he was burning
a lot of photographs of UFOs. That was his job. He said he
stopped to look at one too long and one of the others, I gathered
it was some type of military man, hit him in the head with
a gun butt and knocked him out. He did describe the photograph
to me which I tend to believe was an accurate photograph.
He explained that it was a craft on the ground and it looked
like, it was like a regular saucer with like little bumps all
over and he said it was like it was burnt. He said cows in
the field all had their tails stuck straight up. At the time
he said he didn't know when cattle were frightened, that their
tails would stick straight up. And he described this to me
and since then, I did describe it to someone that I thought
might have looked at some of these photos, possibly and they
did look kind of frightened that I should know about that one".
Donna maintained that every NASA mission to the Moon was monitored
by an alien presence, she added:
"They (aliens) also didn't want that craft
to investigate the part of the moon that they were going to,
we were told not to go but we ignored it. Now that's what I've
heard. I guess they didn't want us to see something back there,
I don't know, I don't know that part". |
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